In the same backdrop, the Chinese First Lady, Peng Liyuan, who has been a performing artist and music teacher for many years and is currently the WHO Goodwill Ambassador for Tuberculosis and HIV/AIDS and the UNESCO Special Envoy for the Promotion of Education for Girls and Women, participated effectively in numerous events. Whether he was being hosted by his US counterpart Barack Obama at the White House or addressing a joint Press Stakeout or visiting educational institutions or sponsoring the Sino-US Food Wisdom Valley Establishment Ceremony Reception, speaking to industrial giants or jointly chairing the China and the United Nations roundtable on South-South cooperation in the United Nations Headquarters in New York or addressing the UN Development Summit, President Xi Jinping was at his eloquent best in not only dispelling doubts regarding Chinese economic reforms, alleged cyber attacks or hegemonic designs in the South China Sea. Speaking of the "Chinese Dream" was in relevant since it is in consonance with the "American Dream".
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Mentioning the ongoing American political drama television series 'House of Cards', endeared him to his audience proving his remaining current with US entertainment industry.
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Xi Jinping had prepared his speech painstakingly and received standing ovation as he touched the right chords for his references to the famous 1993 Hollywood movie 'Sleepless in Seattle' which he stated had made the city almost a household name in China. Systematized to cover over a dozen burning issues in diverse moots, debates, summits and addresses, President Xi made the optimum utilization of the opportunities that have left his admirers in awe and even his detractors gasping over his power to seize the opportunity.Īt the first port of call Seattle, the east Pacific coast city, President Xi addressed a welcome banquet jointly hosted by Washington State government and friendly communities. Coming on the eve of the 70th Anniversary of the advent of United Nations General Assembly, where the US was swarming with leaders from all over the world including Pope Francis, Xi Jinping's state visit was planned so immaculately that it left an indelible mark.
Xi Jinping's maiden visit to USA as China's President, spread over a week, occurred at an opportune moment in the history of both nations as well as the world.
Xi arrived in Washington, the second stop of his state visit to the United States, on Thursday after a busy two-and-a-half-day stay in Seattle. President Barack Obama (R) and his wife Michelle Obama at the White House in Washington D.C., the United States, Sept. An ancient Chinese melody laced with electronic percussion sets the tone for passionate lovemaking between the corrupt Ximen and the equally infamous Pan Jinlian.Chinese President Xi Jinping (2nd R) and his wife Peng Liyuan (L) are welcomed by U.S. The attention to detail that Wang goes into can be seen from a 5-minute video widely posted on the Internet.Ī traditional Chinese swing-bed rocks on a specially made beam. It accurately captures sexual energy and leaves the audiences space for imagination," the award-winning former prima ballerina says. In a sense, she became their guardian angel.įor Wang, dance is the best way to capture the essence of the tale. In her adaptation, Wang has focused on how the women feel, their fragility and delicacy. The book devotes itself to narrating the sexual exploits of Ximen Qing and his many lovers, especially his three most famous mistresses - Pan Jinlian, Li Ping'er and Pang Chunmei - for whom the book takes its title. The Golden Lotus, a Ming Dynasty (1368-1644) novel, has been considered one of China's naughtiest erotic works and has been banned for its explicit portrayal of sex, adultery and corruption in a decadent society. That's saying a lot, considering her stable of works ranges from choreography for the 2008 Beijing Olympics opening ceremony to putting together China's most avant-garde dance productions, includingRaise the Red LanternandHaze. The creation and production of The Golden Lotus was an exhausting challenge for choreographer Wang Yuanyuan.įor Wang Yuanyuan, her stage adaptation of the 16th-century Chinese novel, Jin Ping Mei, or The Golden Lotus, was her most frustrating, exhausting, but also most satisfying, work. Chen Nan talks to Wang Yuanyuan, the choreographer of The Golden Lotus.
The specially commissioned production for an arts festival was a sell-out success, but it may never be staged in the mainland. It is dance drawn from one of the most sensual books in Chinese history.
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